|Bostridge; photo (c) Simon Fowler|
After the interval, Adès gave a masterly account of Liszt's "Petrarch Sonnet No. 123," subtler perhaps than it deserved. Perhaps it's a personal bias, but I felt the Liszt lieder suffered by comparison with the emotional specificity and nuance of Schumann and Schubert. Still, Bostridge brought a beautiful interiority to "Es muss ein Wunderbares sein," especially. The closing selections from "Schwanengesang" were varied in expression, but unremittingly intense. I appreciated that "Das Fischermädchen" was given with a focused, seductive snarl that made it clearly another expression of the poet's anguish and anger, rather than a respite from it. Adès made the shimmering chords of "Die Stadt" chillingly unheimlich. "Der Doppelgänger" was, to me, nothing less than terrifying. The expression Bostridge gave to "Schatz" in the first line was a foretaste of what was to come. The chords from the piano felt like the only sounds in an unnaturally hushed world. There was a chilling pause between the horrifying reveal--"meine eigene Gestalt!"--and the apostrophe: "Du Doppelgänger..." The deathly silence at the end was succeeded by enthusiastic applause. After we'd all recovered a bit, Bostridge generously gave two encores: Caliban's hauntingly beautiful aria from Adès Tempest ("Be not afeard. The isle is full of noises") and, after still more enthusiasm, an exquisite, subtly spun account of the song I had been most sorry to see left out of the Schwanengesang selections: "Ständchen." When I expressed my great happiness to the Beloved Flatmate, she pointed out that the evening had been one of depression without a glimmer of redemptive hope. Yes... but I got my lieder fix, and it was excellent.
Interesting program (which I can't see on the Carnegie Hall website: either they already removed it, or it's 404-ing on its own). We'll have him over in March, with a more narrowly Romantic program of Schumann and Brahms, with Julius Drake at the piano.ReplyDelete
Meanwhile, for all Bostridgians, here's his 45 minutes of Desert Island Discs 2008: http://www.bbc.co.uk/radio4/features/desert-island-discs/castaway/8f8460e3#b00f2fd3
@DTO CH does seem to have taken down the program listing, bizarrely. The other two Liszt songs were "Im Rhein, im schoenen Strom" and "Die Glocken von Marling." The selections from Schwanengesang were "Der Atlas," "Ihr Bild," "Das Fischermaedchen," "Die Stadt," "Am Meer," and "Der Doppelgaenger."ReplyDelete
Thanks for the link; something to look forward to!