The new two-disc collection of Fritz Wunderlich's popular output from the 1950s and '60s is an impressive achievement on several levels. Put out by Naxos in collaboration with Südwest Rundfunk, it's a testimonial to skilled archival work -- in Mainz, Stuttgart, and Freiburg -- and skilled technological remastering. The sound quality is excellent, and it's nice to have a record of several Unterhaltungsorchester. It is also, of course, a testimony to Wunderlich's versatility as an artist. In two ways, this collection is a document of what might have been. According to his daughter, quoted in the CD booklet, Wunderlich seriously considered embarking on a career as a popular singer; only a favorable audition outcome at a propitious moment secured him for the opera world. As this collection testifies, Wunderlich continued to record popular ballads with enthusiasm and skill. In its two hours -- and more! -- of high-quality recording, it is thus also a valuable document of a voice too little heard on the opera stage before Wunderlich's untimely death.
I might characterize the songs as belonging to three categories: sentimental love songs, sentimental regional odes, and sentimental Mediterranean exoticism. They're pleasant to a fault. Both in the repertoire and in my reception of it, there are similarities to Jonas Kaufmann's recent excursion into Italian ballads. What Kaufmann sings as "Parlami d'amore, Mariù," Wunderlich sings as "Sprich zu mir von Liebe, Mariù," but in both cases, I was left wishing to hear the tenor in rarities of the Italian repertoire. Wunderlich's musicianship is never less than polished and generous. More than once, I was left whimpering with the desire to hear his Lohengrin. But the collection is worth listening to in its own right.