| Christine Goerke. Photo via IMG Artists |
The Tannhäuser overture and bacchanal saw the orchestra at its finest, with each theme given dramatic value, and with sprightliness leavening the pseudo-medieval pomp and ceremony. When Goerke entered, she lit up the hall, embracing its dingy neoclassicism in an expression of radiant joy before launching into "Dich, teure Halle." Elisabeth's effervescent happiness filled Goerke's sound as her sound filled the hall. German nerd that I am, I loved the expression which Goerke gave to text. The very strength of her rich sound seemed almost to work against the desolation of "Allmächt'ge Jungfrau," but perhaps I have insufficient sympathy with Elisabeth's self-denying selflessness. Certainly Goerke sang it beautifully. I was delighted that the GVO gave this aria its response, Wolfram's achingly beautiful "O du mein holder Abendstern." Jesse Blumberg sang it with a resonant, warm baritone well-suited to it. I found myself wishing that the legato phrases had been taken more slowly, and that Blumberg's perfectly correct German had perhaps been invested with more poignancy, but judging by aufience response, these reservations placed me in a minority.