Sunday, August 21, 2016

Embarras de richesses: Frederica von Stade collection

It is both a privilege and a considerable challenge to review the recently-released collection of Frederica von Stade's complete Columbia recital recordings. Yes, all of them! This is truly an embarras de richesses, and a deeply impressive testimony to the breadth of von Stade's artistry. While only a fraction of her discography, it's a delightful cross-section of it.

Accompanying the CDs is a booklet with comprehensive track lists that also features specifications of which LPs the CDs were adapted from. Almost always, these are 1 to 1 transfers, which should make it particularly easy for the long-time aficionado to determine what's included. This also ensures a lack of lazy duplication. There are two compilation CDs, one of excerpts from full recordings of Massenet and Monteverdi--perhaps particularly valuable for those with great enthusiasm but limited shelf space--and one of collaborations, featuring, delightfully, some of the genre-blending work of contemporary composers. Another feature I really enjoyed was that the original LP jacket art (with commentary) is reproduced on the CD sleeves, offering a fascinating historical window on how these albums were first presented. They also offer a remarkable tour of the soft-focus photography popular across musical genres in the '70s and '80s. The most recent inclusion, a 2000 recording of Richard Danielpour's Elegies and Rilke settings, also featuring Thomas Hampson, was very welcome, and it seemed only appropriate to honor Von Stade's commitment to contemporary work.


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