|Goethe, with more brooding than this album provides (Tischbein, 1787)|
Once one gets beyond the cover design, with its font that could have been taken from a deliberately retro New York pizzeria, stereotype is less prevalent. Still, the album is not particularly adventurous. It doesn't explore uncharted territory. Reproaching any project for not doing something that it never set out to do may be a reviewer's cardinal error. But as a listener, I hope for more adventurous things from one of opera's biggest stars. It could be a great tool for opera evangelism. It makes great listening in the car, or while making dinner. Still. That Kaufmann is capable of melting sweetness, as in "Parlami d'amore, Mariù," is not, at this point, news. The same may even be said of twists of bitter irony, or almost savage resignation, as in the standards "Caruso" and "Core 'Ngrato." I did, of course, welcome these dark undertones in a repertoire usually marketed as the musical equivalent of sunshine and sparkling wine, both unlimited.